Artist Džemma Skulme (1925–2019), both in her art and in her personal convictions, was always unwaveringly guided by the enduring measure of fundamental human values – a spiritual axis deeply rooted in the heritage of national culture.
The artist was born into a family of painter Oto Skulme and sculptor Marta Skulme. The painter embraced her heritage of family tradition and interwar modernism, preserving it amid the constraints imposed by socialist realism. Her art's vibrant expressiveness and bold colours remain timeless symbols of her creative sovereignty. From the 1960s onward, Džemma Skulme wove national motifs into her work as a powerful testament to her people's national self-esteem and spiritual defiance in the face of the Soviet occupation regime. Notably, the artist shaped her imagery through a feminine perspective. The triad of figures – the folk maiden, caryatid, and princess symbolised a desire to honour and elevate national identity within the tradition of European art.
The artist's character and resolve left a lasting impact on Latvia during the Soviet era and its national revival. Serving as the head of the Latvian Artists' Union (1982–1992), she was a pivotal figure in the national Awakening movement, and amid the turbulence of the political era, she played a direct and significant role in advancing the restoration of Latvia's independence.
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